Ok, so you are ready to work on how to make sure your photography business is recovering the capital invested in it for your equipment. You know this is important as equipment doesn’t last for ever and at some point you will need to replace items. This is not the same as increasing your equipment. The example used may seem very small, but it is a good way to understand the principle and you will see when you start how large an amount you may have invested.
To start write down every piece of equipment you have and the price, write next to it when you bought it, next to that write how long you think it will last – or how long till you think you will want to replace it. I used Microsoft Excel to do this but you can do it on paper. You should have something like this.
Nikon D700 Jan 2013 £1400 5years
Prime lens Mar 2013 £ 190 5years
Canon Printer Mar 2013 £ 100 5years
Interfit lights Jun 2013 £ 300 5years
That is just an example, you will have probably a lot more, remember you can’t include memberships, consumables like ink, paper, bulbs.
Total your amounts up, on this example it comes to £1990 and I want to recover this in 5 years. This means that in 5 years time regardless of any profit or wage I take from the company there will be £1990 sitting in my bank classed as recovered capital that I can use to replace my equipment. Many people will want to include a vehicle but that is where it gets complex. If you include a vehicle you have to only use that vehicle for your photography business or have a way of verifying the miles that you use for business. At this stage I only put petrol receipts onto my accounts for travelling. I could at some point start to use a mileage allowance, say 50 pence per mile but that’s for another blog. Of course you could pay for an accountant or bookkeeper to do all this for you. But until I am making a few thousand with the business I don’t plan to do this.
So now you know how much you need to get and over how long, so for a newly started business it would be unwise to just divide this amount by five and say that is how much is required each year as it takes time to build up a business, it makes more sense to anticipate that the volume of work you can achieve will increase over the years.
To continue with the example of £1990 this could be broken down into
year 1 £250
year 2 £320
year 3 £390
year 4 £480
year 5 £550
So you have the yearly amounts you want to achieve. How are you going to attach these to the paying jobs you work on? I undertake three types of commission, weddings, portraits and commercial. I can charge a lot more for a wedding than a pet portrait, and for a commercial shot I am paid more than either of the others. Yet in expected work there is a clear connection between the type of work and the pay received for it. I find commercial work as high paid but low volume, weddings a good pay but not so many, and portraits being low pay but high volume. So in year one how will I achieve the £250 I want to recover for capital.
Each type of work I undertake has a capital rate I attach, this rate will change throughout the five years – achieving in the fifth year what it could stay for the following years unless additional equipment is purchased.
Wedding capital at £25, Commercial capital at £50 and Portrait capital at £10. I decided on these amounts due to the expected number of jobs per year, which in the first year is 4 weddings, 0 commercial and 15 portraits.
The number of jobs I achieve each year is forecast and you can amend these every three months throughout the year to see if you are on track or need to increase or could even decrease the amount of capital you are achieving. The secret to forecasting jobs here is to ensure you are honest, how many jobs do you think you are capable of achieving you are unlikely to be able to work on 100 weddings per year, and would you honestly be able to attract 100 wedding clients? So be realistic with what you can do and how many clients you can attract.
By year 5 in my plan I aim to be photographing 15 weddings per year, 3 commercial jobs per year and then the faithful portraits at 45 jobs – that is one a week for each working week!! Portraits being the main stay as they are varied, pets, babies, children, groups, couples, engagements, boudoir, and beauty. Don’t imagine you are going to be photographing London Fashion Week in two years unless you have an internship with a leading studio now! But plan your expectations, revisit them on a regular basis, play with your figures on a separate excel sheet to see how much you could be reinvesting in advertising, marketing, and always remember you need a take home wage.
I will at some point put a link to a possible Microsoft template for your photography accounts on this blog.